Wednesday, December 31, 2008

The New Year

They say that how you spend New Year’s Eve is how you spend the rest of the year (and when I say they, I mean Summer from “The O.C.”) If this is true, I always spend the entire year watching movies and eating cold pizza… Okay, that is sort of true. Bottom line, it doesn’t matter if December 31st is a night just like any other or if it does set the tone for the next year because it’s all about how you spend it. If you are like me and don’t favor drunkenly tonguing the closest body when the clock strikes twelve, here are some suggestions to New Year’s Eve-oriented films to get you into the 2009 mood:

  1. Bridget Jones Diary: For Bridget, New Years is an opportunity for her to find a respectable boyfriend, lose weight, and lower her alcohol comsumption. Watching her romantic mishaps along the way are quite entertaining. “Bridget Jones’ New Year’s Resolution #1: obviously, will lose twenty pounds. #2: will find a nice, sensible boyfriend and stop forming romantic attachments to alcoholics, workoholics, commitment-phobics, peeping toms, megalomaniacs, emotional f***wits or perverts.”
  2. Holiday: In this 1938 film, Cary Grant stars as Johnny Case, a laid-back guy betrothed to the daughter of a millionaire. When his fiancée Julia’s family (with the exception of her independent sister Linda and her drunkard uncle) begins to pressure him into the family business and make him their ideal son-in law, Johnny instead wishes to always be on ‘holiday.’ He begins to spend more time with the family’s black sheep Linda (Katharine Hepburn) and questions which life – and sister – would make him happier. On New Year’s Eve Johnny makes up his mind. Not to be confused with…
  3. The Holiday: This 2006 film is the last documented proof of Jude Law’s attractiveness. The story is about two unhappy women (Kate Winslet and Cameron Diaz – do they not own a mirror? If I looked like either of them I would be happy all the time) who switch homes for the holidays. The ending of them all happy and dancing on New Year’s Eve just sort of makes me bitter.
  4. When Harry Met Sally: Billy Crystal and Meg Ryan star in this film about two friends who are in love with each other but apparently just cannot see it. The New Year’s Eve scene, where there are sudden realizations by both parties about their true feelings, is apparently heartwarming to many people, but again, makes me feel bitter.
  5. The Apartment: Jack Lemmon is C.C. Baxter, an ambitious insurance salesman in love with a beautiful-but-suicidal elevator operator, Fran Kubelik (Shirley MacLaine). When Fran realizes that Baxter has been pining for her all along, she leaves her gentleman caller on New Year’s Eve and goes to him. The movie ends with both of them unemployed, unsure of the future, but nevertheless happy. Miss Kubelik offers the best advice for the New Year with, “Shut up and deal.”
  6. Ocean’s Eleven (1960): Though I am a fan of the 2001 remake with Clooney & Co., the Rat Pack version is still number one. The film has the motley crew robbing five different casinos – Desert Inn, Flamingo, Sands, Sahara, and Riviera – on the last moment of the last day of the year.
  7. 200 Cigarettes: Set on New Year’s Eve during the early eighties, this film follows something like sixteen different peoples’ New Year’s Eve-nings. The movie stars Ben & Casey Affleck, Christina Ricci, Courtney Love, Paul Rudd, Kate Hudson, Janeane Garofalo, Jay Mohr, Dave Chappelle and many other people. “200 Cigarettes” reminds me of “Reality Bites” if those kids were a little more social and didn’t sing “Conjuction Junction” (which was what had made Reality Bites amazing). That’s probably the best way to describe a movie about Gen-X “hipsters” that really aren’t hip. But Elvis Costello shows up and that makes it gold.
  8. Alfie (2004): There is only one little bit in this version of “Alfie” that is worthwhile in my opinion, and it is where he dates Nikki (Sienna Miller), the crazy/beautiful New York wild child who he finds on Christmas Eve. Unfortunately for little Alfie, New Year’s Eve is when Nikki first begins to reveal bits of her real, nonmedicated personality and only thinking of himself, he is quick to dump her in the forthcoming days. Well karma’s a bitch because Alfie ends up alone and I’m sure Nikki ends up in a happy relationship where she can wear her floppy hats, peasant skirts, fur coats, and black eyeliner in peace!
  9. Sunset Boulevard: When delusional silent-screen star Norma Desmond throws a New Year’s party for herself and Joe Gillis, a down-on-his-luck B-picture screenwriter, she chooses this occasion to profess her love for him. Scared out of his mind, Joe flees to a friend’s house where another party is occurring, and Norma, feeling rejected, attempts suicide. Maybe you shouldn’t watch this if you are feeling sad tonight…
  10. High School Musical: If I remember correctly, the first scene of this film is of Troy and Gabriella singing karaoke on New Year’s Eve. Talk about the “Start of Something New”…This film proves The O.C.’s theory on New Year’s; those two HSM kids were singing for the next few years after that one song.

The Pattie Chronicles: The Style

Some of my favorite Pattie looks


Throughout most of the sixties, Pattie Boyd was a fashion icon. Her sense of style evolved throughout the decade from her modest skirt suits of the early ‘60s, to her transition from Mod Goddess (or Moddess, if you will) to a happy hippie in the mid-‘60s, ending the decade with a mature, more subdued sense of style that she would carry for the rest of her life. She became muse to legendary designer Ossie Clark and partied with Mary Quant. Not too many other models (or people at all) can lay claim to this. Pattie wore miniskirts (the ‘60s definition of mini – about three inches above the knee) and said that the color of choice for a cocktail dress would be white or pink – knocking the theory of the Little Black Dress’s essentialness for a loop. With evening dresses, Pattie liked to pair her designer gowns with a second-hand black velvet jacket, a high-low combination that would become so popular in the next few years.

Pattie was proud that she never purchased much expensive clothing, instead buying a lot of vintage (her favorite being Edwardian). Though not all of us are international supermodels and are gifted tons of designer clothing, so when it comes to dressing like Pattie, us common people may have to lay out a pretty penny or two. But take the advice from Pattie – the best place to start your wardrobe is in a vintage store. Not only is it usually less outrageously priced than the clothing found in department stores, but there is something quite appealing to buying vintage clothing and pondering what fabulous event from decades past your item was worn to. Perhaps your silver floor-length gown danced with Frank Sinatra in Vegas or your newly acquired Halston Grecian gown partied at Studio 54 with Bianca Jagger and Andy Warhol. At vintage stores, you can find not only Victorian pieces like Pattie loved, but clothing from the 1960s is quite commonplace in most good vintage stores. And if the heavens are on your side, you might even find an Ossie Clark original that Ms. Boyd wore of her own!

Emulating Pattie Boyd’s wardrobe is so much fun because how you go about it depends on your personality. Pattie went through five major style periods during the sixties, and, depending on which one you want to follow, you can interject much of your own personality into it. But whether you decide to follow one of Pattie’s 60s fashion periods or alternate between the five, you will always be well-dressed. And whatever you decide, you won’t be alone in your decision. Sixties supermodel Twiggy confessed that she modeled herself after Ms. Boyd’s early sweet Mod-ish taste in clothing and makeup when the Twig was first establishing a career for herself – and just look at how well that turned out!

Je t'aime... moi non plus

Jane Birkin, the Brit-born singer/actress who became a cultural icon in England and France, was a successful model prior to her first big acting break. Her first ‘role’ was as a girl on a motorcycle in the Dick Lester film “The Knack… and How to Get it.” The next year, Jane really emerged on the film scene when she was cast in the quintessential mod film “Blowup” as ‘the blonde’ model. Her roles in 1966’s “Blowup,” and 1968 the George Harrison-scored film “Wonderwall,” cast her as a child of the Swinging London scene. “Wonderwall” also had her playing a model, named Penny Lane. The costumes were designed by “The Fool” – who also designed clothes for the Beatles, Anita Pallenberg, Pattie Boyd, and many other 60s stars – and the film became a testament to the late 1960s London. Following that film, Birkin took the role as Évelyne in “Slogan,” which would be her first of many French films. She costarred alongside Serge Gainsbourg and duetted with him on the film’s theme song.

Other roles Birkin had were in “The Swimming Pool,” “Death on the Nile,” “Evil Under the Sun,” “La fille prodigue,” “La pirate,” “Love on the Ground,” and “La belle noiseuse” – the majority of her roles having led to nominations for César Awards. Birkin has also recorded several albums, collaborating with artists as diverse as Feist, Franz Ferdinand, The Smiths, Rufus Wainwright, MC Solaar, Francoise Hardy, and Beck. Her most notable singing collaborator is Serge Gainsbourg, who she shared a relationship with for twelve years. In 1969, Birkin and Gainsbourg released the duet “Je t’aime… moi non plus” which was so controversial at the time that it was banned from all radio stations in the US, UK, Italy and Spain. The song was sung in French and became very popular all over Europe, despite its overt sexuality. It was originally written for Brigitte Bardot until Gainsbourg initiated a relationship with Birkin. In 1975, Jane Birkin starred in a film named after that song, which was directed by Serge Gainsbourg.

Birkin has been married three times, first to “James Bond” composer John Barry from 1965 to 1968, marrying him when she was only eighteen. She had a daughter, Kate Barry, with him in 1967. Her next was with Serge Gainsbourg, and she had a daughter Charlotte with him as well. This relationship ended in 1980, when Jane left him for Jacques Doillon, who would become her third husband. In 1982 she gave birth to her third daughter Lou.

Birkin is still active in her singing and acting career, though now she focuses more on humanitarian work. I have always admired Jane Birkin’s style – it’s a healthy mix of French timelessness and British trendiness. I don’t know if that made much sense, but I think that British girls are usually so on point with what is popular (even sometimes being the catalyst for what is about to be popular) and French girls have this air of classicism in what they wear but Jane’s style has somehow found an equilibrium between the two. Jane’s fashion legacy will live on – no matter if she wears nylon track suits and white Keds for the rest of her life. In the mid-1980s, Hermès designed and named a bag in honor of her after she complained about not having a bag big enough to use when travelling. The Birkin bag has become the most expensive and most sought-after of all Hermès bags, though Jane herself hasn’t used the bag in recent year, citing shoulder pain as the reason. I just thought that last bit was funny.

Sunday, December 28, 2008

This Bird Has Flown

Cyn Lennon was born Cynthia Powell in Blackpool, England in 1939. She was raised in the upper middle class section of Merseyside, called Hoylake by her mother and until she was a late teenager, her father. When she was 17, she was admitted to the Liverpool College of Art to study graphics. She was an incredibly gifted artist, far superior than many of her classmates, and she showed up each day to college wearing tweed skirts, twinsets and glasses (don't worry - this is not the phase of her style I am about to complement!) which was a stark contrast to the beatnik look her more bohemian classmates were sporting. Gradually, Cynthia began to loosen up her style more, not wearing her glasses outside of class in order to break her reputation as a teacher's pet.

One day, a "teddy boy" (a boy during the 50s-60s who wore Edwardian-inspired clothing like black velvet coats, drainpipe jeans, highneck shirts, and DA hairstyles) sat behind her during a lettering class and introduced himself as John. Cynthia took a liking toward him because of his litle regard of authority (manifesting itself in the form of their teachers) and his tendency to play his guitar around campus (anyone who read her memoir "John" can recall his serenading her with "Ain't She Sweet" in front of everyone in class). One day she heard him complementing a flaxen-haired classmate as resembling Brigitte Bardot and, feeling a tad jealous, bleached her hair blonde the very next weekend -- a look she would keep the rest of her life.

After a rather short courtship (including a school dance, some bottles of beer, and doing it in Stu Sutcliffe's apartment), Cynthia and John began dating and became attached at the hip. Their relationship was passionate with both its ups and downs. They were both in love; John wasn't even deterred at all when his Aunt Mimi constantly referred to Cyn as a "gangster's moll," but true to John's nature, he suffered mood swings where he would turn jealous and abusive because he was afraid he was losing her. Over the early course of their relationship, John also achieved in turning Cynthia into the Liverpudlian Brigitte Bardot, trading in her tweed skirts for leather pants and stockings for fishnets.

In July 1962, Cyn found out she was pregnant by John. Though worried he wouldn't be happy with the news and maybe leave her, all of Cynthia's worries were calmed when John responded to the news by asking her to marry him. They were married in late August 1962 but couldn't tell many people they were wed because of a fear Beatle manager Brian Epstein had of the band not becoming as popular if a member was married. Much of the time Cyn was pregnant John was away on tour, though he frequently called to check on her and the excitement he felt of becoming a father grew. In April, Cynthia welcomed a son John Charles Julian Lennon, to be called Julian.

But the demands of his career kept him from being near his family and during the rest of the decade, the connection that John and Cynthia shared began to wane. Cynthia's first responsibility was to her son, but John had millions of fans, hundreds of corporate types, and several band members to answer to. Cynthia acknowledged this in her book, saying "John didn't get a real chance to be first a real husband or later, a real father. Once he got on the Beatles bandwagon he couldn't get off, even if he wanted to." But what really killed their relationship, Cynthia believes, was drugs. "John needed an escape from his reality," she wrote, "I understood completely but I couldn't go along with him." Her bad experience with LSD versus his fondness for it drove them farther apart until they were almost strangers living in the same home.

At this point, we all know how the story continues. Here is the Cliff Notes version: John meets Yoko, John marries Yoko, John sits in bed and grows hair with Yoko, John gets lost for a weekend, John procreates with Yoko. Essentially yes, this is how John’s story ends, but Cynthia’s is far more interesting. After being left by her husband for Miss Ono, Cyn met a charming Italian man Roberto Bassanini who, in 1970, she would marry. But one of the most adorable moments Cyn presents in her memoir was when Paul McCartney visited her and Julian right after her and John had filed for divorce. Having recently broken up with his fiancée, Jane Asher, he brought Cyn a red rose and jokingly asked her to marry him, saying something along the lines of “How bout you and me getting married now?” He also performed a song he had written on his way up there, composed for Julian (and would eventually become “Hey Jude”) to help him through his parents divorce.

Despite the tense relationship she would share with John in later years and bitter views in regards of what was best for Julian, I like to believe that Cynthia and John truly cared for each other still after the divorce. There is a quote from a 1974 interview where John said, "It was said I never loved Cyn. That's far from the truth. We were young, bigheaded, and got into a physical relationship too soon. Perhaps if we took things slow we would have made it. I know we would have made it."

Personally, I like Cynthia Lennon. Though she has written two books about John, it never seems like she wrote them to get even or dish dirt on her former husband. Both books - even "John," which delves deeper into his sometimes stormy nature and his often cruel treatment of Julian - discuss John in a loving manner. Despite the pain he put her through, you can see that she still really loves and respects him. Looking back on all the relationships all the Beatle boys had, Cynthia was the only girl you can't accuse of just wanting to get with a Beatle. She fell for John when his musical career could've amounted to nothing but a pipe dream for a college kid. She is more than a fashion icon because no matter how much she dressed like Brigitte Bardot, there still the underlying intelligence of that inner teacher’s pet that makes her a lot more. But since this is a style-based website, I will comment on it. I am jealous of her ankle-length velvet capes matched with ivory Victorian blouses and black bandage skirts and leather boots. It seems she never quite lost that Bardot look or John’s early Teddy boy influence, but it quite worked. Another thing I love about Cyn’s look is that she very rarely looked like she was actually wearing makeup at all. Obviously she was because who would go to world premieres and high-class parties with just a dab of lip balm or mascara, but I just love that she always looked so clean and natural. Not too many girls can actually pull that off without looking sickly, so props to Cyn for her natural beauty.

She has integrity, she has heart, and she has one hell of a life story. I wish Cyn Lennon all the love and best wishes in the world because she definitely deserves them!

The Pattie Chronicles: The Hair

Pattie told 16 Magazine in October 1965 that a girl’s shining glory “truly is her hair” and that “it is very important to pay extra attention” to one’s hair-do, telling the mag she washed her hair daily, drying it in a clean linen towel. Pattie also recommended shampoo with olive oil added because it moisturizes most normal hair. Despite this, she admittedly told a magazine the next year that she hardly ever goes to the hairdresser. “I haven’t been to one in ages. I can’t bear sitting under the drier. I wash my hair myself every five days – the fringe more often, and sometimes I give my hair a dry shampoo between washes. If I think the ends need cutting, then I just get whoever is at home to chop them off – George, my sister, anybody.”

Back in 1965 and before, Pattie worked the ‘flipped-out’ look at the ends of her hair. To achieve this style, “Just before my hair is completely dry, I give it a good brushing with a natural bristle brush… When my hair is gleaming (still dampish), I take about eight big round rollers and carefully roll up the ends. I curl them over about three times. You have to use more or less turns, depending on how much natural curl there is in your hair. When my hair is dry, I remove the rollers. Then I lift the hair at the top of my head and back-comb or brush it until there is enough teased up to give me a little "crown". Next, I comb over the teasing gently until the crown looks smooth and neat. Now I comb my bangs down over my eyebrows and, holding them lightly, flicking the ends up so that I get a curved line (which is very flattering to the eyes). Finally, I carefully comb the sides and ends, also flicking the bottoms up all the way around. The final move is to spray my hair thoroughly with a good, light hair spray. This holds it in place without getting it all gooey.”

To backcomb her hair, Pattie travelled with a long comb with fine teeth (AKA – a ducktail comb) and a bristle brush (try to buy a natural bristle brush if possible – it makes for healthier hair).

Friday, December 26, 2008

X-Men Origins: Wolverine Movie Trailer

X-MEN ORIGINS: WOLVERINE HD


X-Men Origins: Wolverine looks like it is going to be an awesome movie. With a well rounded cast a great director, and hopefully a good story, they will be able to pull it off. Hugh Jackman is a great Wolverine and he is the producer of the film as well. I loved the first 2 X-men movies, and the 3rd one X-Men: The Last Stand blowed!!! A crappy director and a cheesy script were the major downfalls to this film. Brett Ratner totally botched it and why in the crap did Bryan Singer have to leave to film Superman?...we will never know. One thing is for sure is that Brett Ratner should stick to filming Rush Hour movies.

I AM A GAMBIT FREAK!














Now, my 2 favorite X-Men characters are Wolverine and Gambit. I am a huge fan of Gambit. He's got an awesome accent, he is a Ragin' Cajun from New Orleans, he's got an awesome trench coat, cool eyes, he plays cards and he is a great fighter. I own all the Gambit Comic books of the original series and I am a little upset at the person that they picked to play Gambit for this Wolverine Origins movie. Lame teeny bopper Taylor Kitsch from Friday Night Lights. Ug, he is too young and his nose isn't as prominent as Gambit from the Comic books and cartoon series.















In X-Men: United the name of Remy LeBeau, aka Gambit, is seen on the computer screen when Mystique breaks into the underground facility. In X-Men: The Last Stand there was suppose to be a cameo of Gambit played by stuntman James Bamford, but the scene was cut.

It was also rumored that Gerard Butler, Bailey Chase, James Franco, Channing Tatum, and Josh Holloway were considered for the role of Gambit. Out of all those considered I think that Josh Holloway would have fit the bill. He looks like the character and has a southern accent like the character as well.

All I have to say is that Taylor Kitsch better do a good job.

Something else bugs me about the previews, seeing the Gambit character and all. In the comic books and the cartoons Gambits' eyes have black sclera and red iris's, on the film though, his eyes appear normal. That really bothers me because one of Gambits' trademarks are his devilish red eyes.





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